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"Dreams feel real while we're in them. It's only when we wake up that we realize something was actually strange." -Inception
Showing posts with label Emily Blunt. Show all posts
Showing posts with label Emily Blunt. Show all posts

Friday, April 22, 2016

Trailer Time: The Magnificent Seven, The Girl on the Train, Jason Bourne and The Founder

Lots of trailers out this week, showing us what's in store for the rest of the year. Let's start with the reboot of one of the greatest Westerns in cinema.

 

The wild, wild west is back with Antoine Fuqua's remake of the classic The Magnificent Seven! With his Training Day star Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D'Onofrio, Byung-Hun Lee, Manuel Garcia-Rulfo and Martin Sensmeier teaming up to go up against Peter Sarsgaard's baddie, the first teaser shows us how the assembling of the band of outlaws and heroes coming together to save a town. There will be much debate on whether a reboot or remake like this is needed after the previous masterpieces with Akira Kurosawa's Seven Samurai (1954) and the 1960 version with Yul Brynner and Steve McQueen, but casting Washington in the lead is welcome addition, for sure. The Magnificent Seven releases on September 23, 2016.


Right on the heels of Gillian Flynn's Gone Girl came Paula Hawkins's psychological thriller, The Girl on the Train. The best-selling novel is being turned into a film which releases on October 7, 2016 with Emily Blunt as the titular girl who thinks she witnessed a murder from the train. Along with co-stars Rebecca Ferguson, Justin Theroux, Luke Evans, Haley Bennett and Alison Janney, the movie focuses on Rachel (Emily Blunt) and quest to separate fact from fiction. The first teaser looks fantastic, great choice with Kanye West's Heartless playing over it. However, I am disappointed that the filmmakers decided to change the setting of the novel from U.K. to America. It's missing something essential in the change, I believe. The Girl on the Train is directed by Tate Taylor.


The spy who just won't go away, Matt Damon returns back to the franchise with Jason Bourne. This time, original director Paul Greengrass too is on board to helm this latest film. The first teaser has everyone's favourite amnesiac making his presence known, yet again. I don't know why they keep getting surprised that he returns. You created a super spy, now deal with it. Julia Stiles seems to be the only returning cast member from the previous films, while newly minted Oscar winner Alicia Vikander and Tommy Lee Jones join the cast to hunt down Jason Bourne. The film is in theaters on July 29.


Michael Keaton, who's on an all-time professional high with the last two Oscar Best Picture wins under his belt, steps into the shoes of McDonald's founder Ray Kroc. But as the first trailer begins to unveil, can he rightly be considered the founder of the fast food franchise, when the idea and the conception was someone else's? The Founder co-stars Laura Dern, Nick Offerman, John Carroll Lynch and B.J. Novak and is directed by John Lee Hancock. It releases August 5, 2016.

Sunday, October 14, 2012

Movie Review: Looper



Looper is one of the best time travel films I've seen. Period.  It's due to the great writing that even though you'll have so many questions about the whole enterprise, the film will literally blow you away. I think I watched the film at the edge of my seat wondering what was going to happen next. I thought I could predict what happened next but the film surprised me with turns and twists it took.

In 2044, a bleak looking Kansas, we meet a looper named Joe (Joseph Gordon-Levitt) whose job it is to "take care" of the unwanted criminals/associates that the mob sends back from the future.  Joe tells us that in 2044, time travel hasn't been invented yet but in the future, thirty years from his present, 2074, it has been outlawed and only the criminals use it.  It is impossible to get rid of a body there so it is easier for the loopers to do the job for them.

However, the life of a looper is quite grim and depressing.  They do the dirty work of offing all these people and they also have sign an agreement that eventually they will close the "loop". That they will kill their future selves and be paid handsomely to live the 30 years till their death.  Well, would it be called a suicide since they are killing themselves?  Another question to think about it.

Joe goes about his business and has aspirations for a better life than the alternative he has now; he is learning French and saving up for a new life later.  Seriously, there seem to be no great job opportunities in Kansas 2044.  This is not the future we'd want to imagine for ourselves.  But this is not a film about how bad the future is.

The day comes when at the cornfield where Joe has to exterminate whoever is sent back in time (his usual spot), he meets his future self.   But unlike the bound and head covered "hits" that usually pop up, he looks right into his own eyes and is disconcerted.  This little moment allows Old Joe (Bruce Willis) to gain the upper hand and escape.

And here's where the film goes up another notch.  Both Joes (young and old) have their own agendas.  Young Joe has a plan in place for his life forever, he has accepted what will happen to him after closing his own loop and doesn't want to get on the wrong side of Abe (Jeff Daniels), his current mob boss.  Old Joe has 30 years of life on the other side and the love of a good woman who dies as as the new mob boss, the Rainmaker, in the new future comes to send him back to the past.  He's devastated and believes the only way to do change her death is to get rid of the man who put the orders to close every looper's loops.

So simple yet so complicated.  In an amazing scene set in a diner that Young Joe frequents, they both sit across each, assess and tell each other what they both should do.  Both of them are headstrong, so strong in their beliefs that their way is correct way to handle the situation. While Old Joe may have been mellowed by marriage, he is clouded in his judgement and is willing to do anything to solve his future's problems.

Young Joe on the other hand for all his youth and impetuousness seems more willing to weight the pros and cons once he sees the big picture.  It all comes to a head at a farm where a young mother Sara (Emily Blunt) is trying to raise her son Cid (Pierce Gagnon).  The scenes at the farm revealed so much about these three characters: Young Joe, Sara and Cid.  We see the best and worst of them.

I love a film that raises questions and doesn't just answer them for you.  The two Joes are on the same path to fix what's broken in their lives but their methods and executions are so different.  But they are the same person, divided only by time.  It is so fascinating.  Would you recognize and identify who you will become 30 years into the future?  There is substantial enough time to change the person you once were.

But can you ask your former self to change who you are at the time?  Others might take away something else from the film. Maybe the justification of trying to change the past by eliminating something or someone from it or to can you change a person's nature by nurture? But what stayed with me was the meeting of the past and future selves, both making a claim that they had a right to their lives. Even if one wins, the effect of changing the past is massive and might not bring the change you desire.

However, I did feel the film's ending is just right and fitting.  Director Rian Johnson has written an amazing script of a sci-fi tale that has hints of everything from action, love and suspense in it.  There are even a few lines of humor through in once in a while to ease the tension thankfully.  Initially, I was still thinking of a few stray plot lines that were introduced earlier but my questions were answered by the end.

The three leads are spot on.  The film does a good job of trying to show Gordon-Levitt as younger version of Willis with a changed voice, face and mannerisms although it was obvious the facial changes were due to prosthetic makeup.  Many times, it was like watching another actor and it felt like relief to finally see the typical arch of the eyebrow on Gordon-Levitt's face.

Bruce Willis is as cool as ever as the hardened looper just trying to get it done but you see the toll of making some awful and difficult decisions and what it does to him.  Emily Blunt too has a strong role as a conflicted mother who wants to do right by her son.  Pierce Gagnon who plays Cid brings equal amounts of creepy and cute to the role.  Looper is a film that you will want to watch again mainly because you'll want to discuss it with your friends and family.  Try not to get to learn too much about the film before you go in, let the events unfold before you and it'll make for a better viewing experience.

Written and Directed by Rian Johnson; Cinematography by Steve Yedlin; Edited by Bob Ducsay; Music by Nathan Johnson.

Also in the cast: Paul Dano, Noah Segan, Piper Perabo, Summer Qing, Garrett Dillahunt

Rating: 

Monday, September 17, 2012

Movie Review: The Five-Year Engagement

The Five-Year Engagement can't decide what type of a film it wants to be, a comedy or a drama. On the heels of The Hangover and last year's wildly successful Bridesmaids, this looked and felt like another comedic wedding film.  Just take a look at the poster above.

But the film is no laugh fest and the dull conflicts between the leads made for little drama which is a shame because the actors all have great chemistry with each other. In the end, I could barely muster few smiles for them. Director Nicholas Stoller's previous collaboration with Jason Segel was the delightfully charming The Muppets which contained just the right amount of nostalgia, affection and respect. This movie, however, is a big ole mess.

The premise is that a newly engaged couple Violet (Emily Blunt) and Tom (Jason Segel), that too only after a year together, are faced with career opportunites, family expectations and their own insecurities as they try to make it to the altar. Hence the title The Five-Year Engagement.  There are these moments in the film that meant to be funny that just comes off as incredibly awkward.  Violet's grandparents from both sides keep dying and since they've been waiting and hoping for her to get married, it's supposed to be funny.  Not really; that joke got played out in the trailer.

The supporting characters are notable from their roles on television like Mindy Kaling (The Office), Chris Pratt (Parks and Recreation) and Alison Brie (Mad Men, Community).  They are far more interesting and stable than our leads.  Rhys Ifans, who plays Violet's boss, has a very funny moment when he ninja attacks Jason Segel who is chasing him down a cold, freezing Michigan street. 

The movie tries to explore the difficult situations couples face in this day and age: distance, job security and happiness and of course, the c-word, commitment, all of which could have been explored well, comedically or dramatically.  But the film never seems to find the middle ground here.

The Five-Year Engagement tries to make all that up in a charming ending but it's a little too late by then.  When the credits rolled, I realized the couple still hadn't worked out all their issues.  They're going to have a bumpy road ahead.  I'm not keeping my fingers crossed for a sequel though.

Directed by Nicholas Stoller; Written by Nicholas Stoller and Jason Segel; Cinematography by Javier Aguirresarobe; Edited by William Kerr and Peck Prior; Music by Michael Andrews

Rating: 


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